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Harrison Ford needs no introduction. Anyone who has gone to the movies sometime in the last 35 years knows who he is, whether from supporting roles (“American Graffiti,” “The Conversation,” “Apocalypse Now”) or in leading roles (the original “Star Wars” trilogy, the “Indiana Jones” trilogy, “Blade Runner” and “Air Force One”). He received an Oscar nomination for “Witness” and a Golden Globe nomination for “The Fugitive.” The box-office gross of his collective films make him one of the most popular actors on the planet.
The 63-year-old actor has been absent from the screen for three years now, his longest hiatus ever. But he spent the time working on his newest film, the high-tech thriller “Firewall.” To help refresh people’s memories, Ford recently made a stop in San Francisco.
He appears wearing a crisp black suit (no tie), a goatee and an earring. He speaks softly and chooses words carefully, but is generous in his answers. He explains that the delay between movies came from having to replace the original “Firewall” director (who quit for personal reasons) and rejigger the script for new director Richard Loncraine (“Richard III,” “ Wimbledon”).
“That’s what I was doing for two years. I’m very involved in the script on most of the things I do,” he says.
Over the years, the veteran actor seems to have achieved a perfect balance between Hollywood glamor and a private life. He still loves his job — it’s “playing with the big toys” — and to get away from it, “all I have to do is go home. They don’t treat me like anything special at home.”
He also escapes the elusive grip of stardom by taking to the skies; his love for aviation has become a serious hobby, and one that he loves talking about.
“It’s a big part of my life,” he says. “I take it very seriously, and it continues to be something that I try to learn more about.”
Back on the job, Ford says he enjoys the company of great actors.
“We certainly have a slew of them in this film,” he says, referring to co-stars Virginia Madsen, Robert Forster, Alan Arkin, Robert Patrick, Mary Lynn Rajskub and Paul Bettany. “Paul completely understands the craft of filmmaking. He has a fine instinct. We don’t sit around and talk about acting. Whatever you bounce off him comes back with a nice spin.”
Indeed, Ford comes across like a blue-collar man, likening his job to a “service occupation.”
“To a certain extent, you want to know that you’re serving people well — that they might come back because they expect good service,” he says. “If I’ve had a good day at work and I think I’ve come close to solving the problems we faced that day, then I’m a happy man.”
- By Jeffrey M. Anderson
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